blackbird spring 2002 vol.1 no. 1

GALLERY

WENDY EWALD | In Peace and Harmony: Carver Portraits

An Introduction by Ashley Kister

A community is where people live in peace and harmony.
—Celine Crawley, Grade 5, Carver Elementary School

A major new public art installation by internationally renowned photographer Wendy Ewald opened last May in Richmond, Virginia. Remaining on view through May 2005, Ewald's extraordinary installation comprises 29 monumental portrait banners, each measuring 10 by 8 feet, hanging in 12 outdoor locations throughout the city's Carver neighborhood. For the artist, this project represents a groundbreaking step in the evolution of her work. For Carver and the city of Richmond, it constitutes an unprecedented model of community interaction and participation that maintains the highest level of artistic excellence.

Employing a collaborative process that in many ways dissolves the usual distinctions between photographer and subject, Ewald worked with a group of second, third, fourth, and fifth graders at George Washington Carver Elementary School during several weeklong visits in the fall of 2003. Together, they developed images and text exploring the students' perceptions of self, home, and community. Ewald photographed each student, as well as objects they selected from home that represent their families and community. To these portraits, the students added their own text. The banners produced from this material were installed as pairs or triptychs of images, with each group portraying one child. They offer a compelling, multifaceted portrait of the community through the faces and thoughts of its children.


   

Celine
Photos by Wendy Ewald


The Carver neighborhood lies to the west of Jackson Ward and downtown Richmond, adjacent to Virginia Commonwealth University. First settled by European immigrants in the mid-1800s, it later became a predominantly African American community of freed slaves. Many residents owned and worked in small businesses in the immediate area. With the shift of residential demographics during the 1950s, however, the neighborhood began to decline. By the 1970s, it had fallen into disrepair and was struggling for its survival. Barbara Abernathy, a longtime resident who heads the Carver Area Civic Improvement League, has been instrumental in shaping the revitalization efforts that now are transforming this urban community. "For the past 25 years, residents of Carver have fought to revitalize our neighborhood and make it a place where families can come together," she says. "We've worked hard to bring this positive change to Carver, to make it a place where people will want to raise their children."


Celine
Kroger: Bowe St. at Clay St.
Site photo by Regula Franz


Ewald notes, "It was exciting for me to work with a community that had defined itself and its goals—the most important being to maintain its integrity as a family community. I wanted to make an installation that built on these aspirations. One source of inspiration was a recent trip to Berlin, where I visited the site of Checkpoint Charlie, now marked not by the Berlin Wall but by a pair of enormous, larger-than-life portraits of two young soldiers—an American and a Russian—mounted on a pole. It was a simple yet striking memorial of what had gone on there. With this in mind, I decided to make portraits of the children of Carver and of some of the things precious to them and their families, in order to create an intimate reminder of who lives inside the houses that outsiders pass by every day."

Ashley Kistler
Curator, Hand Workshop Art Center  

  Table of Images
   To Xavier
(1)
   To Tonette
(12)


   Acknowledgments
   Contributor's Notes